MARC Record from marc_columbia

LEADER: 05594cam a2200697 i 4500
001 16621582
005 20220712103155.0
008 211029t20212021nyua 000 0 eng d
024 $a40031115704
035 $a(OCoLC)on1285274623
040 $aERASA$beng$erda$cERASA$dMNG$dBDX$dCAD$dOCLCO$dAS0$dOCLCO$dYDX
019 $a1290202517
020 $a9781597115179$qpaperback
020 $a1597115177$qpaperback
035 $a(OCoLC)1285274623$z(OCoLC)1290202517
043 $an-us---
050 4 $aTR140.M8695$bA4 2021
082 04 $a770.92$223
100 1 $aMurff, Zora J.,$eartist,$ephotographer.
245 10 $aTrue colors :$b(or, affirmations in a crisis) /$cphotographs by Zora J. Murff.
246 3 $aTrue colors
246 3 $aAffirmations in a crisis
250 $aFirst edition.
264 1 $aNew York :$bAperture Foundation Inc.$c2021.
264 4 $c©2021
300 $a218 pages :$billustrations (chiefly color) ;$c31 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPhotographs by Zora J Murff. Contributions by Tay Butler, Widline Cadet, Nick Drain, Bill Gaskins, Nick Norman, Sasha Phyars-Burgess, Legacy Russell, Jay Simple, Aaron Turner, Terence Washington, and Rana Young.
505 00 $tIntroduction --$tUntitled /$rTerence Washington --$tBorn to write time /$rZora J Murff in conversation with Bill Gaskins --$tThe negro mountain is higher (2003) /$rBill Gaskins --$tBlack (Me) : 1987, 1993-2000, 2009, 2014 --$tMississippi Divide : 96 Hours, December 2018 --$tKindred : 2014-21 --$tWhy intent /$rJay Simple --$tConvergence (2021) /$rNick Drain --$tFlash blindness (2020) /$rNick Drain --$tUntitled (masc-ing) /$rNick Norman --$tOne for us (2019) /$rNick Drain --$tMediums & messages /$rZora J Murff in conversation with Sasha Phyars-Burgess --$tImplicit bias test #2 /$rNick Drain --$tBlack (Me) : 1987, 1993-2000, 2009, 2014 (cont.) --$tBlue, Period. August 2019 --$tLove : 2015-21 --$tlooking at you /$rRana Young --$tFree Nigga Archetype : August 2019-May 2020 --$t"True colors (Zora)" /$rTay Butler --$tSelf-portrait (Lincoln, Nebraska) (1912-25) /$rJohn Johnson -- t Invisible man / invisible sites /$rAaron Turner --$tRed: 2003-May 2005 --$t*Free nigga archetype : August 2019-May 2020 (cont.) --$tSneak dissing (or, y'all got me fucked up) /$rZora J Murff --$tPlainly put /$rZora J Murff --$tRévéyé nan divinté #1 (Awakening into divinity [Godhood] #1) (2021) /$rWidline Cadet --$tLiberation: May 18, 2020, 11:34 AM --$tRévéyé nan divinté #2 (Awakening into divinity [Godhood] #2) (2021) /$rWidline Cadet --$tGarden: 2018-ongoing --$tBlack magic /$rLegacy Russell --$tUntitled (Cracked watermelon) (ca. 1890) /$rCharles Ethan Porter --$tBlack matters /$rZora J Murff --$tPlate list --$gBiographies and acknowledgments.
520 $aA chronicle of survival by trailblazing artist Zora J Murff. Murff constructs a manual for coming to terms with the historical and contemporary realities of America's divisive structures of privilege and caste. Since leaving social work to pursue photography over a decade ago, Murff's work has consistently grappled with the complicit entanglement of the medium in the histories of spectacle, commodification, and race, often contextualizing his own photographs with found and appropriated images and commissioned texts. True Colors continues that work, expanding to address the act of remembering and the politics of self, which Murff identifies as "the duality of Black patriotism and the challenges of finding belonging in places not made for me--of creating an affirmation in a moment of crisis as I learn to remake myself in my own image." Nuanced, challenging, and inspiring, True Colors (or, Affirmations in a Crisis) is a must-have monograph by a rising and standout artist. --$cProvided by publisher.
600 10 $aMurff, Zora J.$xThemes, motives$vPictorial works.
650 0 $aAfrican Americans$xRace identity$vPictorial works.
650 0 $aAfrican Americans$xViolence against$zUnited States$vPictorial works.
651 0 $aUnited States$xRace relations$vPictorial works.
650 0 $aPhotography, Artistic.
650 6 $aNoirs américains$0(CaQQLa)201-0072974$xIdentité ethnique$0(CaQQLa)201-0072974$vOuvrages illustrés.$0(CaQQLa)201-0377738
651 6 $aÉtats-Unis$0(CaQQLa)201-0068873$xRelations raciales$0(CaQQLa)201-0068873$vOuvrages illustrés.$0(CaQQLa)201-0377738
650 6 $aPhotographie artistique.$0(CaQQLa)201-0048937
650 7 $aart photography.$2aat$0(CStmoGRI)aat300178594
655 7 $aartists' books (books)$2aat$0(CStmoGRI)aatgf300123016
655 7 $aphotobooks.$2aat$0(CStmoGRI)aatgf300265728
655 7 $aArtists' books.$2lcgft
655 7 $aPhotobooks.$2lcgft
655 7 $aLivres d'artistes.$2rvmgf$0(CaQQLa)RVMGF-000000187
655 7 $aLivres de photographies.$2rvmgf$0(CaQQLa)RVMGF-000001206
700 1 $aButler, Tay,$econtributor.
700 1 $aCadet, Widline,$econtributor.
700 1 $aDrain, Nick,$econtributor..
700 1 $aGaskins, Bill,$d1953-$econtributor.
700 1 $aNorman, Nick,$econtributor..
700 1 $aPhyars-Burgess, Sasha,$d1988-$econtributor.
700 1 $aRussell, Legacy,$econtributor.
700 1 $aSimple, Jay,$econtributor.
700 1 $aTurner, Aaron,$d1990-$econtributor.
700 1 $aWashington, Terence,$econtributor.
700 1 $aYoung, Rana,$econtributor.
852 00 $bfax4off$hTR140.M8695$iA4 2021
852 00 $boff,fax$hTR140.M8695$iA4 2021