| Record ID | marc_ithaca_college/ic_marc.mrc:194305660:1434 |
| Source | Ithaca College Library |
| Download Link | /show-records/marc_ithaca_college/ic_marc.mrc:194305660:1434?format=raw |
LEADER: 01434cam a22002774a 45e0
001 304376
005 20031223133537.0
008 030523s2002 nyua b 001 0 eng
010 $a 2001046508
035 $a47745847
040 $aDLC$cDLC$dUKM$dC#P$dJDR$dCLU
015 $aGBA2-Y6170
020 $a0810904063
042 $apcc
050 00 $aN7430.5$b.L54 2002
049 $aXIMM
100 1 $aLivingstone, Margaret.
245 10 $aVision and art :$bthe biology of seeing /$cby Margaret Livingstone ; foreword by David Hubel.
260 $aNew York, N.Y. :$bHarry N. Abrams,$cc2002.
300 $a208 p. :$bcol. ill. ;$c29 cm.
504 $aIncludes bibliographical references (p. 204) and index.
505 0 $a1 Fiat lux: let there be light -- 2 The eye and color vision -- 3 Luminance and night vision -- 4 The first stages of processing color and luminance: where and what -- 5 Acuity and spatial resolution: central and peripheral vision -- 6 The next level of color processing: surround effects -- 7 From 3-D to 2-D: perspective -- 8 From 3-D to 2-D: shading and chiaroscuro -- 9 From 3-D to 2-D: stereopsis -- 10 Illusions of motion -- 11 Color mixing and color resolution --12 Television, movies, and computer graphics -- Epilogue --Talent, music and learning disabilities -- Further reading -- Index -- Credits.
650 0 $aVisual perception.
650 0 $aColor vision.
650 0 $aPainting$xPsychology.
994 $aE0$bXIM