| Record ID | marc_ithaca_college/ic_marc.mrc:200148735:1288 |
| Source | Ithaca College Library |
| Download Link | /show-records/marc_ithaca_college/ic_marc.mrc:200148735:1288?format=raw |
LEADER: 01288cam a22002894a 45 0
001 317462
005 20040609095529.0
008 020221s2002 ncua b 001 0 eng
010 $a 2002002700
035 $a49225317
040 $aDLC$cDLC$dOCLCQ$dDDU$dXIM
019 $a51681124
020 $a0822329352
020 $a0822329638
042 $apcc
043 $an-us---
050 00 $aPN1995.9.N4$bK59 2002
049 $aXIMM
100 1 $aKnight, Arthur.
245 10 $aDisintegrating the musical :$bBlack performance and American musical film /$cArthur Knight.
260 $aDurham, N.C. :$bDuke University Press,$c2002.
300 $axii, 338 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references (p. [301]-325) and index.
505 0 $aWearing and tearing the mask : Blacks on and in blackface, live -- "Fool acts" : cinematic conjunctions of white blackface and Black performance -- Indefinite talk : Blacks in blackface, filmed -- Black folk sold : Hollywood's Black-cast musicals -- "Aping" Hollywood : deformation and mastery in The Duke is tops and Swing! -- Jammin' the blues : the sight of jazz, 1944 -- Coda : bamboozled?
650 0 $aAfrican Americans in motion pictures.
650 0 $aMusical films$zUnited States$xHistory and criticism.
994 $aC0$bXIM