Record ID | marc_ithaca_college/ic_marc.mrc:202923293:1432 |
Source | Ithaca College Library |
Download Link | /show-records/marc_ithaca_college/ic_marc.mrc:202923293:1432?format=raw |
LEADER: 01432cam a22003014a 45 0
001 322808
005 20041206153039.0
008 040217s2004 caua bk s001 0 eng
010 $a 2004003478
035 $a54454565
040 $aDLC$cDLC$dC#P$dXIM
020 $a0520241843
020 $a0520241851
042 $apcc
043 $an-us---
050 00 $aML200.5$b.H83 2004
049 $aXIMM
100 1 $aHubbs, Nadine.
245 14 $aThe queer composition of America's sound :$bgay modernists, American music, and national identity /$cNadine Hubbs.
260 $aBerkeley :$bUniversity of California Press,$cc2004.
300 $axi, 282 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. 249-263) and index.
504 $aDiscography: p. 265.
505 0 $aModernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise).
650 0 $aMusic$zUnited States$y20th century$xHistory and criticism.
650 0 $aNational music$zUnited States$xHistory and criticism.
650 0 $aGay composers$zUnited States.
994 $aC0$bXIM