| Record ID | marc_ithaca_college/ic_marc.mrc:203707471:1309 |
| Source | Ithaca College Library |
| Download Link | /show-records/marc_ithaca_college/ic_marc.mrc:203707471:1309?format=raw |
LEADER: 01309cam a2200277 a 45 0
001 323974
005 20041214161459.0
008 021218s2003 nyua bq 001 0 eng
010 $a 2002156028
035 $a51266226
040 $aDLC$cDLC$dYDX$dUKM$dVVC
015 $aGBA3-X9865
020 $a0826414850
020 $a0826414842
043 $acl-----
050 00 $aPN1993.5.L3$bS53 2003
049 $aXIMM
100 1 $aShaw, Deborah.
245 10 $aContemporary cinema of Latin America :$bten key films /$cDeborah Shaw.
260 $aNew York :$bContinuum,$c2003.
300 $aix, 206 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 191-200) and index.
504 $aFilmography: p. 187-189.
505 0 $aTomás Gutiérrez Alea's changing images of the revolution: from Memories of underdevelopment to Strawberry and chocolate -- Seducing the public: images of Mexico in Like water for chocolate and Amores perros -- Searching the past for the future: Justiniano's Amnesia and Larraín's The frontier -- Representing inequalities: The voyage by Fernando Solanas and I the worst of all by María Luisa Bemberg -- National identity and the family in Pixote by Hector Babenco and Central station by Walter Salles.
650 0 $aMotion pictures$zLatin America.
994 $aC0$bXIM