Record ID | marc_ithaca_college/ic_marc.mrc:207444160:1596 |
Source | Ithaca College Library |
Download Link | /show-records/marc_ithaca_college/ic_marc.mrc:207444160:1596?format=raw |
LEADER: 01596cam a2200265Ia 45 0
001 329614
005 20050601100748.0
008 030821s2003 caua b 001 0 eng d
035 $a52887862
040 $aFQG$cFQG$dSYB
020 $a1902593731
020 $a1902593839
090 $aPN1995$b.D3713 2003
049 $aXIMM
100 1 $aDebord, Guy,$d1931-
240 10 $aOeuvres cinématographiques complètes.$lEnglish
245 10 $aComplete cinematic works :$bscripts, stills, documents /$cGuy Debord ; translated and edited by Ken Knabb.
260 $aOakland, CA :$bAK Press,$c2003.
300 $axi, 258 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aHowls for Sade (1952) -- On the passage of a few persons through a rather brief unity of time (1959) -- Critique of separation (1961) -- The society of the spectacle (1973) -- Refutation of all the judgments, pro or con, thus far rendered on the film "The Society of the Spectacle" (1975) -- In girum imus nocte et consumimur igni (1978) -- A user's guide to Détournement -- Technical notes on the first three films -- Letter about "On the Passage" -- For a revolutionary judgment of art -- On The Society of the Spectacle (reply to a critic) -- Cinema and revolution -- On The Society of the Spectacle (announcement of the film) -- The use of stolen films -- The themes of "In girum" -- Instructions to the "In girum" sound engineer.
650 0 $aMotion picture plays$xHistory and criticism.
650 0 $aMotion pictures$xPhilosophy.
700 1 $aKnabb, Ken.
994 $aC0$bXIM