| Record ID | marc_ithaca_college/ic_marc.mrc:207539216:1174 |
| Source | Ithaca College Library |
| Download Link | /show-records/marc_ithaca_college/ic_marc.mrc:207539216:1174?format=raw |
LEADER: 01174cam a22002774a 45 0
001 329744
005 20050615100500.0
008 040614s2005 enk 001 0 eng
010 $a 2004013785
035 $a55671311
040 $aDLC$cDLC$dYDX$dUKM$dXIM
015 $aGBA502370$2bnb
016 7 $a013079681$2Uk
019 $a58928841
020 $a0195169336
042 $apcc
050 00 $aMT115.B2$bM43 2005
049 $aXIMM
100 1 $aMelamed, Daniel R.
245 10 $aHearing Bach's Passions /$cDaniel R. Melamed.
260 $aOxford ;$aNew York :$bOxford University Press,$c2005.
300 $axi, 178 p. ;$c22 cm.
505 0 $aPerforming forces and their significance. Vocal forces in Bach's Passions ; Singers and roles in Bach's Passions -- Passions in performance. The double chorus in the St. Matthew Passion BWV 244 ; Which St. John Passion BWV 245? ; A St. Mark Passion makes the rounds -- Phantom Passions. Parody and reconstruction : the St. Mark Passion BWV 247 ; Bach/not Bach : the anonymous St. Luke Passion BWV 246.
600 10 $aBach, Johann Sebastian,$d1685-1750.$tPassions.
650 0 $aPassion music$xAnalysis, appreciation.
994 $aC0$bXIM