MARC Record from Ithaca College Library

LEADER: 04199cam a2200337 a 4500
001 337026
005 20060126145535.0
008 050510m20042005enka b 001 0 eng
010 $a 2005275526
035 $a60454206
040 $aDLC$cDLC$dBAKER$dIUL
020 $a0521611903
020 $a052167347X
050 00 $aMT90$b.M88 2004
049 $aXIMM
245 00 $aMusic analysis in the nineteenth century /$cedited by Ian Bent.
250 $a1st pbk. ed.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c2004-2005, c1994.
300 $a2 v. :$bill. ;$c25 cm.
440 0 $aCambridge readings in the literature of music
504 $aIncludes bibliographical references and indexes.
505 0 $av. 1. Fugue, form, and style -- v. 2. Hermeneutic approaches.
505 0 $av. 1. Fugue, form, and style. Pt. 1., Analysis of fugue. Introduction -- 'Double fugue (Handel, Fugue from Harpsichord suite no. 6 in F# minor)' (1805) / J.-J. de Momigny -- 'Fruitful method of analysing a piece of music with respect to harmony' (?1816-18) / A. Reicha -- Elucidations of Johann Sebastian Bach's 'Art of fugue' (1841) / M. Hauptmann -- 'Analysis of the finale of Mozart's Symphony no. (41) in C (K551 ("Jupiter")) (1843) / S. Sechter -- 'Three-part fugue (bk I no. 6 in D minor) from J.S. Bach's Well-tempered clavier' / S.W. Dehn -- 'Prelude and fugue in B♭ minor, bk II no. 22 (from J.S. Bach's Well-tempered clavier)' (1890) / H. Riemann.
505 0 $av. 1, pt. 2. Technical analysis of form and style. Introduction -- '(Prelude) no. 8 (in D minor from Vogler's Thirty-two preludes)' (1806) / G.J. Vogler -- 'Aria ("Non so più") from Mozart's the Marriage of Figaro' (1814) / A. Reicha -- 'Analysis (of Reicha?: Andante for wind quintet in G) with respect to thematic development (1826) / A. Reicha -- 'A particularly remarkable passage in a String quartet in C by Mozart (K465 ("Dissonance"))' (1832) / G. Weber -- 'Harmonic groundwork of Beethoven's Sonata (no. 21 in C) op. 53 (("Waldstein")) (c.1832-4) / C. Czerny -- 'First-movement form in the String quartet (: Beethoven: op. 18 no. 2 in G: Allegro)' (1850) / J.C. Lobe -- The harmonic style of Richard Wagner, elucidated with respect to the leitmotifs of 'Tristan and Isolde' (1881) / K. Mayrberger.
505 0 $av.1, pt. 3. The classification of personal style. Introduction -- (The ten styles of Palestrina) (1828) / G. Baini -- '(Mozart's) String quartets dedicated to Haydn' (1843) / A.D. Ulïbïshev -- Four essays on the styles of Beethoven's muisc. 'Critical assessment of Beethoven's works' (1828) / J.A. Schlosser -- (The three periods of Beethoven's music) (1837) / F.-J. Fétis -- 'Beethoven's three styles' (1852) / W. von Lenz -- 'Beethoven's three manners' (1857) / A.D. Ulïbïshev -- Bibliographic essay.
505 0 $av. 2. Hermeneutic approaches. Pt. 1, Elucidatory analysis. Introduction -- '(Review: Meyerbeer's) Les Huguenots: the score' (1836) / H. Berlioz -- 'Report on the performance of the Ninth symphony of Beethoven' (1846) / R. Wagner -- '(Beethoven: Piano sonata in F, op. 10 no. 2)' (1852) / W. von Lenz -- '(Beethoven: Piano sonata) in F minor, op. 57 (Appassionata)' (1856) / E. von Elterlein -- '(J.S. Bach: Three sonatas for viola da gamba and harpsichord, BWV 1027-9) (1873) / P. Spitta -- 'Prelude', 'Act I (scene I)', Parsifal: a thematic guide through the poetry and the music (1882) / H. von Wolzogen -- 'Anton Bruckner: Symphony no. 4 (in E♭ ("Romantic"))' (1898) / H. Kretzschmar.
505 0 $av.2, pt. 2. Objective-subjective analysis : the hermeneutic circle. Introduction -- 'Analysis of Haydn's Symphony (no. 103 in E♭ ("Drumroll"))' (1805) / J.-J. de Momigny -- '(Review: Beethoven's Symphony no. 5 in C minor)' (1810) / E.T.A. Hoffmann -- '(Review of Berlioz: Fantastic symphony)' (1835) / R. Schumann -- '(Verdi:) Simon Boccanegra' (1859) / A. Basevi -- '(Beethoven:) The final symphony' (1859) / A.B. Marx -- '(Beethoven:) String quartet in A minor, op. 132' (1885) / T. Helm -- Bibliographic essay.
650 0 $aMusical analysis$xHistory$y19th century.
650 0 $aMusic$xHistory and criticism.
700 1 $aBent, Ian,$d1938-$4edt
994 $aC0$bXIM