| Record ID | marc_ithaca_college/ic_marc.mrc:212525662:1398 |
| Source | Ithaca College Library |
| Download Link | /show-records/marc_ithaca_college/ic_marc.mrc:212525662:1398?format=raw |
LEADER: 01398cam a2200277 a 4500
001 384595
005 20060314095820.0
008 040405s2005 inua b s001 0 eng
010 $a 2004007896
035 $a54966350
040 $aDLC$cDLC$dYDX$dUKM$dSYB$dBAKER
015 $aGBA479812$2bnb
016 7 $a013033019$2Uk
020 $a025321744X
020 $a0253344441
043 $aff-----
050 00 $aPN1993.5.A35$bA76 2005
049 $aXIMM
100 1 $aArmes, Roy.
245 10 $aPostcolonial images :$bstudies in North African film /$cRoy Armes.
260 $aBloomington :$bIndiana University Press,$cc2005.
300 $axv, 278 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. [255]-265) and index.
505 00 $tBeginnings in the 1960s --$tThe 1970s --$tThe 1980s --$tThe 1990s --$tInto the present --$tAn indigenous film culture: El chergui (1975) --$tHistory as myth: Chronicle of the years of embers (1975) --$tA fragile masculinity: Omar Gatlato (1976) --$tMemory is a woman's voice: La nouba (1978) --$tImag(in)ing Europe: Miss Mona (1987) --$tDefeat as destiny: Golden horseshoes (1989) --$tSexuality and gendered space: Halfaouine (1990) --$tA timeless world: Looking for my wife's husband (1993) --$tA new future begins: Silences of the palace (1994) --$tA new realism? Ali Zaoua (1999).
650 0 $aMotion pictures$zAfrica, North.
994 $aC0$bXIM