| Record ID | marc_ithaca_college/ic_marc.mrc:216609172:1442 |
| Source | Ithaca College Library |
| Download Link | /show-records/marc_ithaca_college/ic_marc.mrc:216609172:1442?format=raw |
LEADER: 01442cam a2200301 a 4500
001 393608
005 20061031101548.0
008 051121s2006 nyua b 000 0 eng
010 $a 2005033564
035 $a62342742
040 $aDLC$cDLC$dBWKUK$dBAKER$dUBY$dMBB$dNLGGC
020 $a0199287384
024 3 $a9780199287383
042 $apcc
043 $ae-uk-en
050 00 $aPN2589$b.T87 2006
049 $aXIMM
100 1 $aTurner, Henry S.
245 14 $aThe English Renaissance stage :$bgeometry, poetics, and the practical spatial arts 1580-1630 /$cHenry S. Turner.
260 $aNew York :$bOxford University Press,$c2006.
300 $axv, 326 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. [279]-312) and index
505 0 $aIntroduction -- I. Diagram, Image, Icon -- 2. Practical knowledge and the poetics of geometry -- 3. Sir Philip Sidney and the practical imagination -- 4. Noun, foot, and measured line -- II. Stage, wall, scene, plot -- 5. Theatre as a spatial art -- 6. The Topographic stage -- 7. Dramatic form and the projective intelligence -- 8. Ben Jonson's scenography.
650 0 $aTheater$zEngland$y16th century$xHistory and criticism.
650 0 $aTheater$zEngland$y17th century$xHistory and criticism.
650 0 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism.
650 0 $aEnglish drama$y17th century$xHistory and criticism.
994 $aC0$bXIM