| Record ID | marc_loc_2016/BooksAll.2016.part04.utf8:109828881:1217 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part04.utf8:109828881:1217?format=raw |
LEADER: 01217cam a22002291 4500
001 49042034
003 DLC
005 20050820213112.0
008 750715s1945 nyuac 000 0 eng
010 $a 49042034
035 $a(OCoLC)1448944
040 $aDLC$cNBiSU$dOCoLC$dDLC
042 $apremarc
050 00 $aND699.K3$bS58
082 $a759.7
110 2 $aSolomon R. Guggenheim Foundation.
245 00 $aKandinsky.$cEd. by Hilla Rebay, upon the occasion of the Kandinsky Memorial Exhibition, Mar. 15th to May 15th, 1945, in the Museum of Non-Objective Paintings, New York City.
260 $aNew York$c[c1945]
300 $a45 p.$billus. (part col.) ports.$c35 cm.
505 0 $aAnalysis on his "Composition no. 4," by Wassily Kandinsky.--Analysis on his "Composition no. 6," by Wassily Kandinsky.--Analysis on "The white edge," by Wassily Kandinsky.--The period of 1910-1920, and the importance of "on The white edge."--On the difference of abstract and non-objective painting and on "Composition no. 8."--Notes on Kandinsky.--Retrospects, by Wassily Kandinsky.--Wassily Kandinsky.--Painting as a pure art, by Wassily Kandinsky.
600 10 $aKandinsky, Wassily,$d1866-1944.
700 1 $aRebay, Hilla,$d1890-1967,$eed.