| Record ID | marc_loc_2016/BooksAll.2016.part26.utf8:145367822:926 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part26.utf8:145367822:926?format=raw |
LEADER: 00926nam a2200277 a 4500
001 97176172
003 DLC
005 19990518142931.6
008 970724s1997 gw a b 001 0 ger d
010 $a 97176172
020 $a3895640344
035 $zBLC 199705
035 $a(OCoLC)37001881
040 $aNYP$cNYP$dCUV$dDLC
042 $alccopycat
050 00 $aML430.7$b.F45 1997
082 00 $a781.3/6$221
100 1 $aFeisst, Sabine.
245 14 $aDer Begriff 'Improvisation' in der neuen Musik /$cSabine Feisst.
260 $aSinzig :$bStudio,$c1997.
300 $a283 p. :$bill. ;$c24 cm.
440 0 $aBerliner Musik Studien,$x0944-2650 ;$vBd. 14
500 $aOriginally presented as the author's thesis (doctoral)--Freie Universität, Berlin, 1995.
504 $aIncludes bibliographical references (p. 238-278) and index.
650 0 $aImprovisation (Music)
650 0 $aMusic$y20th century$xHistory and criticism.