| Record ID | marc_loc_2016/BooksAll.2016.part28.utf8:221229535:819 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part28.utf8:221229535:819?format=raw |
LEADER: 00819cam a22002654a 4500
001 2001044155
003 DLC
005 20020729134359.0
008 010709s2002 maua b 001 0 eng
010 $a 2001044155
020 $a0262011867 (alk. paper)
040 $aDLC$cDLC$dDLC
042 $apcc
050 00 $aN7480$b.A29 2002
082 00 $a701/.18$221
100 1 $aAckerman, James S.
245 10 $aOrigins, imitation, conventions :$brepresentation in the visual arts /$cJames S. Ackerman.
260 $aCambridge, Mass. :$bMIT Press,$cc2002.
300 $axi, 328 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references and index.
650 0 $aArt criticism$xHistoriography.
650 0 $aArt$xHistoriography.
650 0 $aArt, Renaissance.
650 0 $aModernism (Art)
650 0 $aPoststructuralism.