| Record ID | marc_loc_2016/BooksAll.2016.part28.utf8:8183391:1387 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part28.utf8:8183391:1387?format=raw |
LEADER: 01387cam a2200277 a 4500
001 99039764
003 DLC
005 20061204110352.0
008 990713s1999 mau bk 001 0deng
010 $a 99039764
020 $a067400065X (cl. : alk. paper)
040 $aDLC$cDLC
050 00 $aML1015.G9$bW24 1999
082 00 $a787.87/19$221
100 1 $aWaksman, Steve.
245 10 $aInstruments of desire :$bthe electric guitar and the shaping of musical experience /$cSteve Waksman.
260 $aCambridge, Mass. :$bHarvard University Press,$c1999.
300 $ax, 373 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references, discography, and index.
505 0 $aPlaying with sound : Charlie Christian, the electric guitar, and the Swing Era -- Pure tones and solid bodies : Les Paul's new sound -- Mister Guitar : Chet Atkins and the Nashville sound -- Racial distortions : Muddy Waters, Chuch Berry, and the electric guitar in Black popular music -- Black sound, black body : Jimi Hendrix, the electric guitar, and the meanings of blackness -- Kick out the jams : the MC5 and the politics of noise -- Heavy music : cock rock, colonialism, and Led Zeppelin.
650 0 $aElectric guitar$xHistory.
650 0 $aPopular music$xSocial aspects.
650 0 $aGender identity in music.
650 0 $aSex in music.
650 0 $aMusic and race.
650 0 $aGuitarists.