| Record ID | marc_loc_2016/BooksAll.2016.part30.utf8:164104936:1777 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part30.utf8:164104936:1777?format=raw |
LEADER: 01777cam a22003374a 4500
001 2003012527
003 DLC
005 20130530084405.0
008 030605s2003 nyua b 001 0 eng
010 $a 2003012527
020 $a0415943914 (pbk. : alk. paper)
040 $aDLC$cDLC$dDLC
042 $apcc
050 00 $aMT55$b.B446 2003
082 00 $a781.2/86$221
100 1 $aBenjamin, Thomas.
245 14 $aThe craft of tonal counterpoint /$cThomas Benjamin.
250 $a2nd ed.
260 $aNew York :$bRoutledge,$c2003.
300 $axxiv, 404 p. :$bill. ;$c28 cm.
500 $aRev. ed. of: Counterpoint in the style of J.S. Bach. 1986.
504 $aIncludes bibliographical references (p. 295) and index.
500 $a"Anthology (all works are by J.S. Bach)": p. 296-297.
505 0 $aLine and other elements of style -- Nonimitative two-voice writing -- Chromaticism in two voices -- Composition of binary dance forms -- Double (invertible) counterpoint -- Imitation, canon -- The two-voice invention -- Three-voice counterpoint I : texture, rhythm, harmony -- Three-voice counterpoint II : chromaticism, triple counterpoint, canon -- Fugue I -- Fugue II -- Four-voice counterpoint -- Variation forms -- Cantus firmus procedure : the chorale prelude.
650 0 $aCounterpoint$vTextbooks.
600 10 $aBach, Johann Sebastian,$d1685-1750$xCriticism and interpretation.
650 0 $aMusical analysis$vMusic collections.
700 1 $aBenjamin, Thomas.$tCounterpoint in the style of J.S. Bach.
700 12 $aBach, Johann Sebastian,$d1685-1750.$tWorks.$kSelections.
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip044/2003012527.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0651/2003012527-d.html