| Record ID | marc_loc_2016/BooksAll.2016.part31.utf8:140652814:1871 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part31.utf8:140652814:1871?format=raw |
LEADER: 01871cam a22003374a 4500
001 2004003478
003 DLC
005 20071106084346.0
008 040217s2004 caua bk s001 0 eng
010 $a 2004003478
020 $a0520241843 (cloth : alk. paper)
020 $a0520241851 (pbk. : alk. paper)
040 $aDLC$cDLC$dDLC
042 $apcc
043 $an-us---
050 00 $aML200.5$b.H83 2004
082 00 $a780/.86/640973$222
100 1 $aHubbs, Nadine.
245 14 $aThe queer composition of America's sound :$bgay modernists, American music, and national identity /$cNadine Hubbs.
260 $aBerkeley :$bUniversity of California Press,$cc2004.
300 $axi, 282 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 249-263), discography (p. 265), and index.
505 0 $aModernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise).
650 0 $aMusic$zUnited States$y20th century$xHistory and criticism.
650 0 $aModernism (Music)$zUnited States.
650 0 $aNational music$zUnited States$xHistory and criticism.
650 0 $aGay composers$zUnited States.
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/bios/ucal052/2004003478.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/description/ucal051/2004003478.html
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0415/2004003478.html
856 42 $3Book review (H-Net)$uhttp://www.h-net.org/review/hrev-a0f3d7-aa