MARC Record from Library of Congress

LEADER: 02216cam a22003614a 4500
001 2005033012
003 DLC
005 20061121083242.0
008 051114s2006 ctua b 001 0 eng
010 $a 2005033012
015 $aGBA620943$2bnb
016 7 $a013397187$2Uk
020 $a0300117531 (cloth : alk. paper)
020 $a9780300117530
035 $a(OCoLC)ocm62302407
040 $aDLC$cDLC$dBAKER$dC#P$dUKM$dDLC
043 $ae-it---
050 00 $aND1422.I83$bC36 2006
082 00 $a759.509/031$222
100 1 $aCampbell, Stephen J.$q(Stephen John),$d1963-
245 14 $aThe cabinet of Eros :$bRenaissance mythological painting and the studiolo of Isabella d'Este /$cStephen Campbell.
260 $aNew Haven :$bYale University Press,$cc2006.
300 $aviii, 402 p. :$bill. (some col.) ;$c27 cm.
504 $aIncludes bibliographical references (p. [377]-393) and index.
505 0 $aIntroduction. Placing the gods -- Pt. 1. The studiolo and its histories. The study, the collection, and the Renaissance self -- Myth and the articulation of gender and space -- Isabella's "cupidity" : collecting and literary production -- Pt. 2. The paintings. Mantegna's Mars and Venus : poetry, natural history, and the origins of art -- Mantegna's mythic signatures : Pallas and the vices -- Tanta amorosa impresa : Isabella, Perugino, and Paride da Ceresara -- Lorenzo Costa's coronation of a woman poet and the Renaissance of Sappho -- "Sweet counterfeiting and blandishments" : courtiership, urbanitas, and Costa's Comus -- "Dominate the stars" Correggio, the Gonzaga, and the sack of Rome -- Conclusion. The rise of mythological painting in sixteenth-century Italy.
650 0 $aMythology, Classical, in art.
650 0 $aPainting, Italian.
650 0 $aPainting, Renaissance$zItaly.
610 20 $aPalazzo ducale (Mantua, Italy).$bStudiolo.
650 0 $aStudiolos$zItaly$zMantua.
600 00 $aIsabella d'Este,$cconsort of Francesco II Gonzaga, Marquis of Mantua,$d1474-1539.
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy0701/2005033012-b.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0701/2005033012-d.html