MARC Record from Library of Congress

LEADER: 01874cam a2200289 a 4500
001 2006297079
003 DLC
005 20060918172539.0
008 060817s2006 ne 001 0 eng
010 $a 2006297079
040 $aUKM$cUKM$dBAKER$dKUT$dIXA$dXVF$dDLC
015 $aGBA620886$2bnb
016 7 $a013397130$2Uk
020 $a9780240806815 (acid-free paper)
020 $a0240806816 (pbk. : acid-free paper)
035 $a(OCoLC)ocm63702639
042 $alccopycat
050 00 $aPN1995.9.P7$bD35 2006
082 04 $a791.430233$222
100 1 $aDancyger, Ken.
245 14 $aThe director's idea :$bthe path to great directing /$cKen Dancyger.
260 $aAmsterdam ;$aBoston :$bFocal Press,$cc2006.
300 $axiv, 356 p. ;$c23 cm.
500 $aIncludes index.
505 0 $apt. I: What the director does. Introduction -- The director's idea -- The competent director -- The good director -- The great director -- Text interpretation -- The camera -- The actor -- pt. II: The case studies of directing. Sergei Eisenstein : the historical dialectic -- John Ford : poetry and heroism -- George Stevens : the American character : desire and conscience -- Billy Wilder : existence at stake -- Ernst Lubitsch : the life force of romance -- Elia Kazan : drama as life -- François Truffaut : celebrate the child -- Roman Polanski : the aloneness of existence -- Stanley Kubrick : the darkness of modern life -- Steven Spielberg : childhood forever -- Margarethe Von Trotta : historical life and personal life intersect -- Lukas Moodysson : empathy and its limits -- Catherine Breillat : the warfare of sexuality -- Mary Harron : celebrity and banality -- Conclusion -- Appendix: Finding the director's idea.
650 0 $aMotion pictures$xProduction and direction.
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0665/2006297079-d.html