MARC Record from Library of Congress

LEADER: 01691cam a22003134a 4500
001 2008026805
003 DLC
005 20120110084722.0
008 080617s2008 ohua b s001 0 eng
010 $a 2008026805
020 $a9780821418239 (hc : alk. paper)
020 $a9780821418246 (pb : alk. paper)
040 $aDLC$cDLC$dDLC
043 $af-ao---
050 00 $aML3917.A65$bM66 2008
082 00 $a306.4/8423096732$222
100 1 $aMoorman, Marissa Jean.
245 10 $aIntonations :$ba social history of music and nation in Luanda, Angola, from 1945 to recent times /$cMarissa J. Moorman.
260 $aAthens, Ohio :$bOhio University Press,$cc2008.
300 $axxv, 290 p. :$bill. ;$c24 cm. +$e1 sound disc (digital ; 4 3/4 in.)
490 0 $aNew African histories series
504 $aIncludes bibliographical references (p. 255-273) and index.
505 0 $aMusseques and urban culture -- In the days of bota fogo: culture and the early nationalist struggle, 1947-61 -- Dueling bands and good girls: gender and music in Luanda's musseques,1961-75 -- Ngongo jami (my suffering): lyrics, daily life, and social space, 1956-74 -- Radios, turntables, and vinyl: technology and the imagined community, 1961-75 -- The hiatus: music, dissent, and nation building after independence, 1975-90s.
650 0 $aMusic$xSocial aspects$zAngola$zLuanda (Luanda)
650 0 $aMusic$xPolitical aspects$zAngola.
650 0 $aNationalism in music.
651 0 $aAngola$xHistory$yRevolution, 1961-1975$xMusic and the revolution.
651 0 $aAngola$xHistory$yCivil War, 1975-2002$xMusic and the war.
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0821/2008026805.html