| Record ID | marc_loc_2016/BooksAll.2016.part35.utf8:149917198:1174 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part35.utf8:149917198:1174?format=raw |
LEADER: 01174cam a2200253 a 4500
001 2008045908
003 DLC
005 20091103084000.0
008 081024s2009 inuag bk s001 0beng
010 $a 2008045908
020 $a9780253353108 (cloth : alk. paper)
020 $a0253353106 (cloth : alk. paper)
035 $a(OCoLC)ocn261177327
040 $aDLC$cDLC$dBTCTA$dYDXCP$dC#P$dBWX$dCDX$dPUL$dDLC
050 00 $aML417.F76$bE93 2009
082 00 $a786.2092$222
100 1 $aEvans, Allan,$d1956-
245 10 $aIgnaz Friedman :$bromantic master pianist /$cAllan Evans.
260 $aBloomington :$bIndiana University Press,$cc2009.
300 $axiii, 398 p. :$bill., music ;$c25 cm.
504 $aIncludes discography (p. 337), bibliographical references (p. 377-382) and index.
505 0 $aMusical traditions that hide in shellac -- From Poland -- "Music begins where technique leaves off" -- 2,800 concerts -- From Old Russia -- Encroaching modernism -- From Beethoven to Hitler -- In safety, down under -- Exile -- Chopin on the Nile -- The piano according to Tiegerman -- The piano according to Friedman.
600 10 $aFriedman, Ignaz.
650 0 $aPianists$vBiography.