| Record ID | marc_loc_2016/BooksAll.2016.part35.utf8:175940160:1962 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part35.utf8:175940160:1962?format=raw |
LEADER: 01962cam a2200349 a 4500
001 2008301147
003 DLC
005 20090306085505.0
008 081204s2008 enk b 001 0 eng
010 $a 2008301147
015 $aGBA870868$2bnb
016 7 $a014626936$2Uk
020 $a9780521895323
035 $a(OCoLC)ocn212858836
040 $aUKM$cUKM$dBTCTA$dBAKER$dYDXCP$dBWKUK$dBWK$dCDX$dBWX$dVVC$dDLC
042 $alccopycat
050 00 $aPR2995$b.W45 2008
082 00 $a822/.33$222
100 1 $aWeimann, Robert.
245 10 $aShakespeare and the power of performance :$bstage and page in the Elizabethan theatre /$cRobert Weimann and Douglas Bruster.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c2008.
300 $ax, 266 p. ;$c24 cm.
505 0 $a"Moralize two meanings" in one play : contrariety on the Tudor stage -- Performance, game, and representation in Richard III -- Mingling vice and "worthiness" in King John -- Clowning : agencies between voice and pen -- Clowning at the frontiers of representation -- Cross-dressing and performance in disguise -- Personation and playing : "secretly open" role-playing -- Character/actor : the deep matrix -- Character : depth, dialogue, page -- King Lear : representations on stage and page.
504 $aIncludes bibliographical references (p. 224-255) and index.
600 10 $aShakespeare, William,$d1564-1616$xTechnique.
600 10 $aShakespeare, William,$d1564-1616$xDramatic production.
600 10 $aShakespeare, William,$d1564-1616$xCharacters.
650 0 $aEnglish drama$y17th century$xHistory and criticism.
700 1 $aBruster, Douglas.
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy0906/2008301147-b.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0906/2008301147-d.html
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/enhancements/fy0906/2008301147-t.html