Record ID | marc_loc_2016/BooksAll.2016.part35.utf8:211064224:3532 |
Source | Library of Congress |
Download Link | /show-records/marc_loc_2016/BooksAll.2016.part35.utf8:211064224:3532?format=raw |
LEADER: 03532cam a2200421 a 4500
001 2008353222
003 DLC
005 20080412083945.0
008 080110s2007 hu ag b 011 0 eng d
010 $a 2008353222
020 $a1896926894
020 $a9781896926896
035 $a(OCoLC)ocn183147646
035 $a(OCoLC)183147646
040 $aYDXCP$cYDXCP$dXII$dUMC$dWTU$dOHX$dDLC
041 0 $aeng$ager$afre$aita
042 $alccopycat
050 00 $aML2902$b.S78 2007
245 00 $aStudies in medieval chant and liturgy in honour of David Hiley /$cedited by Terence Bailey and László Dobszay.
260 $aBudapest, Hungary :$bInstitute for Musicology ;$aOttawa, Canada :$bInstitute of Mediaeval Music,$cc2007.
300 $av, 519 p. :$bill., music ;$c24 cm.
490 1 $aWissenschaftliche Abhandlungen ;$vBd. 87 =$aMusicological studies ;$vv. 87
546 $aSeventeen contributions in English, 2 in German, 1 in French and 1 in Italian.
504 $a"The writings of David Hiley / compiled by Roman Hankeln"--P. 473-490.
504 $aIncludes bibliographical references and index.
505 00 $gThe$tAmbrosian responsoria gradualia : their place in the liturgy, the adaptation of a type-melody /$rTerence Bailey --$tReconditio sanctorum : un inedito ufficio ritmico italiano (Tortona, Bibl. Capitolare, B. 178r) /$rGiacomo Baroffio, Eun Ju Kim --$gThe$tPs.-Guidonian Tractatus correctorius multorum errorum /$rMichael Bernhard, Calvin M. Bower --$gDas$tsanktgallische Wiborada-Offizium des XI. Jahrhunderts /$rWalter Berschin --$tUses of the Liber tramitis at the Abbey of Farfa /$rSusan Boynton --$tCrossing the Tridentine divide : continuity and change in liturgical chant, 1300-1900 /$rJohn Caldwell --$t"Tres vidit et unum adoravit" /$rLászló Dobszay --$tRaymund Schlecht : a forgotten nineteenth-century Choralforscher /$rJoseph Dyer --$tCluny at Fynystere : one use, three fragments /$rManuel Pedro Ferreira --$gThe$tprovenance of Cambridge, University Library, Ff.I.17 (1) /$rBryan Gillingham --$gThe$tOffice of St. Jean of Réôme : its notation, music and message /$rBarbara Haggh --$tTexting techniques in St. Olav's Augustine-responsories /$rRoman Hankein --$tRemarques sur l'antiphonaire vieux-romain de Londres (British Library, Additional MS 29988) /$rMichel Huglo --$tPrudentia prudentium : an extraordinary Gloria-trope from Saint-Alban in Mainz /$rGunilla Iversen --$tPetro ad ostium pulsanti : on the interplay of roles in saints' tropes /$rRitva Maria Jacobsson --$tSequences at Sens /$rThomas Forrest Kelly --$gThe$tdistributional evidence for orality /$rEdward Nowacki --$tLenten antiphons in evangelio /$rRuth Steiner --$t"Altius canuntur?" : Durandus on the performance of the Te Deum /$rJanka Szendrei --$gThe$tByzantine Office for the Translation of Saint Nicholas to Bari (AD 1087) /$rChristina Troelsgård --$gDie$tspäten Ordinariumstropen im Graduale aus Moosburg /$rHana Vihová-Wörner.
650 0 $aChurch music$y500-1400.
650 0 $aGregorian chants$xHistory and criticism.
610 20 $aCatholic Church$xLiturgy$xHistory$yMiddle Ages, 600-1500.
650 0 $aChurch music$xCatholic Church$y500-1400.
650 0 $aChurch music$xOrthodox Eastern Church.
650 0 $aMusic$y500-1400$xHistory and criticism.
600 10 $aHiley, David.
700 1 $aBailey, Terence.
700 1 $aDobszay, László.
700 1 $aHiley, David.
700 1 $aHankeln, Roman.
830 0 $aWissenschaftliche Abhandlungen (Institute of Mediaeval Music) ;$vBd. 87.