MARC Record from Library of Congress

LEADER: 02661cam a2200289 a 4500
001 2009011218
003 DLC
005 20150910200314.0
008 090316s2009 maua b 001 0 eng
010 $a 2009011218
020 $a9780674036222 (alk. paper)
020 $a0674036220 (alk. paper)
035 $a(OCoLC)ocn316514536
040 $aDLC$cDLC$dC#P$dYDXCP$dBWX$dCDX$dEINCP$dTTU$dEDK$dBTCTA$dDLC
043 $af------
050 00 $aN7380$b.S67 2009
082 00 $a709.6$222
100 1 $aSpring, Christopher.
245 10 $aAfrican art in detail /$cChris Spring.
260 $aCambridge, Mass. :$bHarvard University Press,$c2009.
300 $a144 p. :$bcol. ill. ;$c23 cm.
490 1 $aArt in detail
504 $aIncludes bibliographical references and index.
505 0 $aPreface -- Introduction: What is African art? -- 1: Contemporary art of Africa -- 2: Art of masquerade -- 3: Cloth, history and culture -- 4: Brass, bronze and gold -- 5: Wood and iron, women and men -- 6: Tools, arms and amour -- 7: Ceramic classics -- 8: Africa around the world -- 9: Further information -- Further reading -- Glossary -- Collections of African art -- Sources of quotations -- Illustration references -- Index.
520 $aFrom the Publisher: This book opens with the question: What is African art? The answer is a brilliantly colorful and detailed look at the myriad materials and genres, forms and meanings, cultural contexts and expressions that comprise artistic traditions across this vast and varied continent. Viewing artworks in their contexts-ancient and modern, urban and rural, western and eastern, decorative and functional-the book is nothing less than a virtual tour of African culture. Masks, textiles, royal art, sculpture, ceramics, tools and weapons-in each instance, the book features examples that reveal the most significant aspects of workmanship, materials, and design in objects of wood, stone, ivory, clay, metalwork, featherwork, leather, basketwork, and cloth. Photographs of each piece alongside close-ups of fine details afford new views of these works and allow for intriguing comparisons between seemingly unrelated objects and media. The featured details evoke the hand and eye of the most accomplished craftspeople across Africa, past and present. In sum, these photographs, along with Christopher Spring's enlightening commentary, offer an experience of African art that is at once broad and deep, richly informed and intimately felt. They are, at the same time, a kaleidoscopic view of art from prehistory to gestures prefiguring the future.
650 0 $aArt, African$xThemes, motives.
830 0 $aArt in detail.