MARC Record from Library of Congress

LEADER: 02767cam a22003614a 4500
001 2009017774
003 DLC
005 20150910200322.0
008 090428s2010 mnua b s001 0 eng
010 $a 2009017774
015 $aGBB040507$2bnb
016 7 $a015511984$2Uk
020 $a9780816665297 (hc : alk. paper)
020 $a081666529X (hc : alk. paper)
020 $a9780816665303 (pbk. : alk. paper)
020 $a0816665303 (pbk. : alk. paper)
035 $a(OCoLC)ocn320131907
040 $aDLC$cDLC$dYDX$dERASA$dYDXCP$dBWX$dUKM$dCDX$dGEBAY$dUKTTE$dDEBBG$dCUK$dUKMGB$dMIX$dS3O$dDLC
050 00 $aN6853.D8$bJ82 2010
082 00 $a709.2$222
100 1 $aJudovitz, Dalia.
245 10 $aDrawing on art :$bDuchamp and company /$cDalia Judovitz.
246 30 $aDuchamp and company
260 $aMinneapolis :$bUniversity of Minnesota Press,$cc2010.
300 $axxx, 285 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. 237-270) and index.
505 0 $aIntroduction. Drawing on art and artists -- 1. Critiques of the ocular : Duchamp and Paris Dada -- 2. The spectacle of film : Duchamp and Dada experiments -- 3. Endgame strategies : art, chess, and creativity -- 4. Pointing fingers : Dali's homage to Duchamp -- 5. The apparatus of spectatorship : Duchamp, Matta-Clark, and Wilson -- Concluding remarks. Mirrorical returns.
520 $aThis volume explores the central importance of appropriation, collaboration, influence, and play in French artist Marcel Duchamp's (1887-1968) work -- and in Dada and Surrealism in general -- to show how the concept of art itself became the critical fuel and springboard for questioning art's fundamental premises. Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. The author maintains that rather than simply negating art, Duchamp's readymades (Duchamp's "readymades" are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art") and later works, including films and conceptual pieces, demonstrating the impossibility of defining art in the first place. Through his readymades, Duchamp explicitly critiqued the commodification of art and inaugurated a profound shift from valuing art for its visual appearance to understanding the significance of its mode of public presentation.
600 10 $aDuchamp, Marcel,$d1887-1968$xCriticism and interpretation.
600 10 $aDuchamp, Marcel,$d1887-1968$xFriends and associates.
650 0 $aArt$xPhilosophy.
700 1 $aDuchamp, Marcel,$d1887-1968.
856 $uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018978129&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA$zInhaltsverzeichnis