MARC Record from Library of Congress

LEADER: 01657cam a2200325 a 4500
001 2009026506
003 DLC
005 20100527085314.0
008 090714s2010 nhua b 001 0 eng
010 $a 2009026506
020 $a9781584658023 (pbk. : alk. paper)
020 $a1584658029 (pbk. : alk. paper)
035 $a(OCoLC)ocn318876272
040 $aDLC$cDLC$dYDX$dCDX$dYDXCP$dBWX$dDLC
043 $an-us---
050 00 $aTR23$b.D84 2010
100 1 $aDuganne, Erina.
245 14 $aThe self in black and white :$brace and subjectivity in postwar American photography /$cErina Duganne.
260 $aHanover, N.H. :$bDarthmouth College Press :$bUniversity Press of New England,$cc2010.
300 $axi, 236 p. :$bill. ;$c23 cm.
490 1 $aInterfaces : studies in visual culture
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: The self in black and white -- Beyond the "Negro point of view" : the Kamoinge Workshop's "Harlem" portfolio -- Bruce Davidson's "American Negro" photographs in context -- Getting down to the feeling : Bruce Davidson, Roy DeCarava, and the Civil Rights Movement -- Roy DeCarava, Harlem, and the psychic self -- Epilogue: Dawoud Bey and the act of reciprocity.
650 0 $aPhotography$xSocial aspects$zUnited States$xHistory$y20th century.
651 0 $aUnited States$xRace relations$y20th century.
650 0 $aAfrican Americans$xRace identity.
650 0 $aAfrican American photographers.
650 0 $aCivil rights movements$zUnited States$xHistory$y20th century.
650 0 $aPhotography in ethnology$zUnited States.
830 0 $aInterfaces, studies in visual culture.