MARC Record from Library of Congress

LEADER: 01926cam a2200349 a 4500
001 2009030334
003 DLC
005 20100902084530.0
008 090722s2010 nyua bk 001 0 eng
010 $a 2009030334
015 $aGBA9B3605$2bnb
016 7 $a015427095$2Uk
020 $a9780814716915 (cl : alk. paper)
020 $a0814716911 (cl : alk. paper)
020 $a9780814716922 (pb : alk. paper)
020 $a081471692X (pb : alk. paper)
035 $a(OCoLC)ocn326466228
040 $aDLC$cDLC$dYDX$dYDXCP$dCDX$dBWX$dUKM$dDLC
043 $an-us---
050 00 $aML3917.U6$bC46 2010
082 00 $a781.64089/68861075938$222
100 1 $aCepeda, María Elena.
245 10 $aMusical imagiNation :$bU.S.-Colombian identity and the Latin music boom /$cMaría Elena Cepeda.
260 $aNew York :$bNew York University Press,$cc2010.
300 $axii, 255 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 217-242), discographies (p. 243-244), and index.
505 0 $aLa crisis colombiana: contextualizing the political moment -- A Miami sound machine: deconstructing the Latin(o) music boom of the Late 1990s -- Shakira as the Idealized transnational citizen: media perspectives on Colombianidad in transition -- Florecita Rockera: gender and representation in Latin(o) American rock and mainstream media -- The Colombian vallenato acá y allá : allegory for a musical ImagiNation -- The Colombian transcultural aesthetic recipe: music video in the "New" American studies -- Afterword: U.S.-Colombian popular music and identity: acknowledging the transnational in the National.
650 0 $aMusic$xSocial aspects$zUnited States$xHistory$y20th century.
650 0 $aPopular music$zFlorida$zMiami$xHistory and criticism.
650 0 $aPopular music$zColombia$xHistory and criticism.
650 0 $aMusic trade$zFlorida$zMiami.
650 0 $aIdentity (Psychology) and mass media.