MARC Record from Library of Congress

LEADER: 02635cam a2200361 a 4500
001 2009032996
003 DLC
005 20100220092750.0
008 090811s2009 nyua b 001 0 eng
010 $a 2009032996
015 $aGBA9A3635$2bnb
016 7 $a015401712$2Uk
020 $a9781845456054 (hardback : alk. paper)
020 $a184545605X (hardback : alk. paper)
035 $a(OCoLC)ocn316825701
040 $aDLC$cDLC$dBTCTA$dYDXCP$dC#P$dBWX$dUKM$dCDX$dDLC
043 $ae-gx---
050 00 $aPN1993.5.G3$bB275 2009
082 00 $a791.430943/09044$222
100 1 $aBaer, Hester.
245 10 $aDismantling the dream factory :$bgender, German cinema, and the postwar quest for a new film language /$cHester Baer.
260 $aNew York :$bBerghahn Books,$c2009.
300 $axiii, 304 p. :$bill. ;$c24 cm.
490 1 $aFilm Europa ;$vv. 9
500 $a"Berghahn on film"--Cover.
504 $aIncludes bibliographical references and index.
505 0 $aRelegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture.
650 0 $aMotion pictures$zGermany$xHistory$y20th century.
650 0 $aMotion pictures$xSocial aspects$zGermany.
650 0 $aMotion pictures for women$zGermany.
650 0 $aMotion picture audiences$zGermany.
650 0 $aWomen in motion pictures.
830 0 $aFilm Europa ;$vv. 9.