| Record ID | marc_loc_2016/BooksAll.2016.part36.utf8:136671637:1281 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part36.utf8:136671637:1281?format=raw |
LEADER: 01281cam a2200253 a 4500
001 2009034519
003 DLC
005 20100508083216.0
008 090824s2009 ncua b 001 0 eng
010 $a 2009034519
020 $a9780786445363 (pbk.: alk. paper)
020 $a078644536X (pbk.: alk. paper)
035 $a(OCoLC)ocn386709562
040 $aDLC$cDLC$dYDXCP$dBTCTA$dC#P$dDLC
050 00 $aPR4147$b.A62 2009
082 00 $a821/.7$222
100 1 $aAdams, Hazard,$d1926-
245 10 $aBlake's margins :$ban interpretive study of the annotations /$cHazard Adams.
260 $aJefferson, N.C. :$bMcFarland & Co.,$cc2009.
300 $avii, 204 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references and index.
520 $a"Known for his prophetic and imaginative works of poetry, painting, and printmaking, the Romantic artist William Blake was also a prolific reader and annotator of other writers' works. This is the first work of criticism to consider Blake's annotations in their entirety, and it covers such authors as Lavater, Swedenborg, Bacon, Spurzheim, Berkeley, and Wordsworth, among others"--Provided by publisher.
600 10 $aBlake, William,$d1757-1827$xCriticism and interpretation.
600 10 $aBlake, William,$d1757-1827$xKnowledge$xLiterature.