MARC Record from Library of Congress

LEADER: 02273cam a2200433 a 4500
001 2009050344
003 DLC
005 20140927080622.0
008 091208s2010 miua b s001 0 eng
010 $a 2009050344
015 $aGBB076672$2bnb
016 7 $a015584822$2Uk
020 $a9780472117253 (cloth : alk. paper)
020 $a0472117254 (cloth : alk. paper)
020 $a9780472026968 (ebk.)
020 $a0472026968 (ebk.)
035 $a(OCoLC)ocn466344607
040 $aDLC$cDLC$dYDX$dBTCTA$dERASA$dYDXCP$dUKM$dBWX$dCDX$dDLC
043 $an-us-ny
050 00 $aPS338.N4$bW555 2010
082 00 $a812/.5209896073$222
100 1 $aWilson, James F.
245 10 $aBulldaggers, pansies, and chocolate babies :$bperformance, race, and sexuality in the Harlem Renaissance /$cJames F. Wilson.
260 $aAnn Arbor :$bUniversity of Michigan Press,$cc2010.
300 $aix, 260 p. :$bill. ;$c24 cm.
490 1 $aTriangulations: lesbian/gay/queer theater/drama/performance
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best".
650 0 $aAmerican drama$xAfrican American authors$xHistory and criticism.
650 0 $aAmerican drama$y20th century$xHistory and criticism.
650 0 $aAfrican Americans in the performing arts$zNew York (State)$zNew York$xHistory$y20th century.
650 0 $aTheater$zNew York (State)$zNew York$xHistory$y20th century.
650 0 $aAfrican Americans$zNew York (State)$zNew York$xIntellectual life.
650 0 $aHarlem (New York, N.Y.)$xIntellectual life$y20th century.
650 0 $aHarlem Renaissance.
650 0 $aAfrican Americans in literature.
650 0 $aRace in literature.
650 0 $aSex in the theater.
830 0 $aTriangulations.