| Record ID | marc_loc_2016/BooksAll.2016.part37.utf8:113724696:1413 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part37.utf8:113724696:1413?format=raw |
LEADER: 01413cam a2200313 a 4500
001 2010003084
003 DLC
005 20110315083206.0
008 100122s2010 inua b 001 0 eng
010 $a 2010003084
015 $aGBB069777$2bnb
016 7 $a015571775$2Uk
020 $a9780253355140 (cloth : alk. paper)
020 $a0253355141 (cloth : alk. paper)
035 $a(OCoLC)ocn464581591
040 $aDLC$cDLC$dYDX$dBTCTA$dUKM$dYDXCP$dTDF$dBWX$dCDX$dDLC
050 00 $aML410.P89$bD33 2010
082 00 $a782.1092$222
100 1 $aDavis, Andrew C.,$d1973-
245 10 $aIl trittico, Turandot, and Puccini's late style /$cAndrew Davis.
260 $aBloomington :$bIndiana University Press,$cc2010.
300 $axiii, 309 p. :$bill. ;$c24 cm.
490 1 $aMusical meaning and interpretation
504 $aIncludes bibliographical references (p. 277-299) and index.
505 0 $aStylistic plurality, narrative, levels of discourse, and voice -- The romantic style in late Puccini -- Expressive uses of convention in Il tabarro -- Formal multivalence in Suor angelica -- Humor and filmic effects in the structure of Gianni Schicchi -- Puccini's solution : integrating the conventional and unconventional.
600 10 $aPuccini, Giacomo,$d1858-1924.$tTrittico.
600 10 $aPuccini, Giacomo,$d1858-1924.$tTurandot.
650 0 $aOpera$y20th century.
830 0 $aMusical meaning and interpretation.