Record ID | marc_loc_2016/BooksAll.2016.part37.utf8:119143492:2573 |
Source | Library of Congress |
Download Link | /show-records/marc_loc_2016/BooksAll.2016.part37.utf8:119143492:2573?format=raw |
LEADER: 02573cam a2200313 a 4500
001 2010007437
003 DLC
005 20110810082702.0
008 100222s2010 enkag b 001 0 eng
010 $a 2010007437
015 $aGBB085844$2bnb
016 7 $a015605402$2Uk
020 $a9780195331189 (alk. paper)
020 $a0195331184 (alk. paper)
020 $a9780195331196 (alk. paper)
020 $a0195331192 (alk. paper)
035 $a(OCoLC)ocn505421158
040 $aDLC$cDLC$dBTCTA$dYDXCP$dUKM$dC#P$dBWX$dCDX$dYHM$dUBY$dDLC
043 $an-us---
050 00 $aML2075$b.H64 2010
082 00 $a781.5/420973$222
245 04 $aThe Hollywood film music reader /$cedited by Mervyn Cooke.
260 $aOxford ;$aNew York :$bOxford University Press,$c2010.
300 $aix, 382 p. :$bill., music ;$c25 cm.
504 $aIncludes bibliographical references (p. [363]-365) and index.
505 0 $aMax Winkler : The origin of film music, 1951 -- T. Scott Buhrman : "Photoplays de Luxe," 1920 -- Ernö Rapée : Musical accompaniment to the feature picture, 1925 -- An interview with Gaylord Carter, Dean of theater organists, 1989 -- Leonid Sabaneev : Music for the films, 1935 -- Max Steiner : Scoring the film, 1937 -- David Raksin : Life with Charlie, 1983 -- Aaron Copland : Our new music, 1941 -- Ingolf Dahl : Notes on cartoon music, 1949 -- Scott Bradley : Personality on the soundtrack, 1947 -- Conversations with Carl Stalling, 1971 -- Dimitri Tiomkin : Please don't hate me! 1959 -- A radio interview with Franz Waxman, 1950 -- Gail Kubik : Music in documentary films, 1945 -- Adolph Deutsch on Three strangers, 1946 -- Miklós Rózsa : Quo vadis, 1951 -- André Previn : No minor chords, 1991 -- Henry Mancini : Did they mention the music? 1989 -- Bernard Herrmann : A lecture on film music, 1973 -- A conversation with Jerry Goldsmith, 1977 -- John Williams and Star wars, 1997 -- Thomas Newman on his film music, 1999 -- George Antheil : I am not a businessman, 1945 -- Igor Stravinsky on film music, 1946 -- David Raksin : Hollywood strikes back, 1948 -- Theodor Adorno and Hanns Eisler : Composing for the films, 1947 -- Frederick W. Sternfield on Hugo Friedhofer's Best years of our lives, 1947 -- Aaron Copland in the film studio, 1949 -- Lawrence Morton : Composing, orchestrating, and criticizing, 1951 -- Elmer Bernstein : Film composers vs. the studios, 1976 -- Sidney Lumet : Making movies, 1995.
650 0 $aMotion picture music$zUnited States$xHistory and criticism.
650 0 $aFilm composers$vInterviews.
700 1 $aCooke, Mervyn.