MARC Record from Library of Congress

LEADER: 01570cam a2200313 a 4500
001 2010026528
003 DLC
005 20110622083053.0
008 100625s2010 nbua b s001 0 eng
010 $a 2010026528
020 $a9780803211261 (cloth : alk. paper)
020 $a0803211260 (cloth : alk. paper)
035 $a(OCoLC)ocn555650123
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dTXX$dYAM$dCDX$dDLC
042 $apcc
043 $an-us---
050 00 $aPN1995.9.I48$bR34 2010
082 00 $a302.23089$222
100 1 $aRaheja, Michelle H.
245 10 $aReservation reelism :$bredfacing, visual sovereignty, and representations of Native Americans in film /$cMichelle H. Raheja.
260 $aLincoln :$bUniversity of Nebraska Press,$cc2010.
300 $axviii, 338 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. [291]-317) and index.
505 0 $aToward a genealogy of indigenous film theory : reading Hollywood Indians -- Ideologies of (in)visibility : redfacing, gender, and moving images -- Tears and trash : economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation : Imprint and It starts with a whisper -- Visual sovereignty, indigenous revisions of ethnography, and Atanarjuat (The fast runner).
650 0 $aIndians in motion pictures.
650 0 $aIndigenous peoples in motion pictures.
650 0 $aIndians in the motion picture industry$zUnited States.
650 0 $aStereotypes (Social psychology) in motion pictures.
650 0 $aMotion pictures$zUnited States$xHistory$y20th century.