| Record ID | marc_loc_2016/BooksAll.2016.part37.utf8:152673698:1535 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part37.utf8:152673698:1535?format=raw |
LEADER: 01535cam a2200313 a 4500
001 2010033903
003 DLC
005 20110111083227.0
008 100819s2010 enk b 000 0 eng
010 $a 2010033903
020 $a9783034304399
040 $aDLC$cDLC
050 00 $aPR5827.A35$bM37 2010
082 00 $a828/.809$222
100 1 $aMarcovitch, Heather,$d1969-
245 14 $aThe art of the pose :$bOscar Wilde's performance theory /$cHeather Marcovitch.
260 $aBern ; c$aNew York :$bPeter Lang,$c2010.
300 $a222 p. ;$c21 cm.
504 $aIncludes bibliographical references (p. 213-222).
505 0 $aIntroduction. Oscar Wilde and performance theory -- Foundations and experiments: Oscar Wilde at Oxford -- Celebrity, caricatures and public performances in the 1880s -- Wilde's performance theory and the critical essays -- Decadent anxiety and negative capabilities: The picture of Dorian Gray and Salome -- The dialectic of persona and stereotypes in the society comedies -- Performance as redemption in De profundis and The ballad of reading Gaol.
600 10 $aWilde, Oscar,$d1854-1900$xCriticism and interpretation.
600 10 $aWilde, Oscar,$d1854-1900$xKnowledge$xPerforming arts.
600 10 $aWilde, Oscar,$d1854-1900$xAesthetics.
600 10 $aWilde, Oscar,$d1854-1900$xPhilosophy.
650 0 $aSelf-presentation in literature.
650 0 $aSelf in literature.
650 0 $aIdentity (Philosophical concept) in literature.
650 0 $aPersona (Psychoanalysis)
650 0 $aImage (Philosophy)