| Record ID | marc_loc_2016/BooksAll.2016.part37.utf8:155118204:1318 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part37.utf8:155118204:1318?format=raw |
LEADER: 01318cam a2200289 a 4500
001 2010035883
003 DLC
005 20110517083600.0
008 100822s2011 ncu b 001 0 eng c
010 $a 2010035883
020 $a9780822348641 (cloth : alk. paper)
020 $a9780822348757 (pbk. : alk. paper)
040 $aNcD/DLC$cDLC$dDLC
042 $apcc
043 $an-us---
050 00 $aKF3035$b.M38 2011
082 00 $a346.7304/82$222
100 1 $aMcLeod, Kembrew,$d1970-
245 10 $aCreative license :$bthe law and culture of digital sampling /$cKembrew McLeod and Peter DiCola ; with Jenny Toomey and Kristin Thomson.
260 $aDurham [NC] :$bDuke University Press,$c2011.
300 $aix, 325 p. ;$c23 cm.
504 $aIncludes bibliographical references (p. [303]-311) and index.
505 0 $aThe golden age of sampling -- A legal and cultural history of sound collage -- The competing interests in sample licensing -- Sampling lawsuits : hip-hop goes to court -- The sample clearance system : how it works (and how it breaks down) -- Consequences for creativity : an assessment of the sample clearance system -- Proposals for reform.
650 0 $aCopyright$xMusic$zUnited States.
650 0 $aSampler (Musical instrument)
650 0 $aPlagiarism in music.
700 1 $aDiCola, Peter,$d1976-