MARC Record from Library of Congress

LEADER: 01721cam a2200265 a 4500
001 2010037827
003 DLC
005 20110629092830.0
008 100917s2011 inua b s001 0 eng
010 $a 2010037827
020 $a9780253356185 (cloth : alk. paper)
020 $a0253356180 (cloth : alk. paper)
020 $a9780253223012 (pbk. : alk. paper)
020 $a0253223016 (pbk. : alk. paper)
035 $a(OCoLC)ocn641506666
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dIUP$dBWX$dDLC
050 00 $aPN1998.3.C3545$bF69 2011
082 00 $a791.4302/33092$aB$222
100 1 $aFox, Alistair.
245 10 $aJane Campion :$bauthorship and personal cinema /$cAlistair Fox.
260 $aBloomington :$bIndiana University Press,$cc2011.
300 $axii, 269 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship.
600 10 $aCampion, Jane,$d1954-$xCriticism and interpretation.