| Record ID | marc_loc_2016/BooksAll.2016.part37.utf8:164378210:1537 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part37.utf8:164378210:1537?format=raw |
LEADER: 01537cam a2200289 a 4500
001 2010043218
003 DLC
005 20110517083715.0
008 101027s2011 cau b 001 0 eng
010 $a 2010043218
020 $a9781598843521 (hard copy : alk. paper)
020 $a1598843524 (hard copy : alk. paper)
020 $a9781598843538 (ebook)
020 $a1598843532 (ebook)
035 $a(OCoLC)ocn669750079
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dBWX$dCDX$dIUL$dDLC
050 00 $aPN1998.3.A526$bB76 2011
082 00 $a791.4302/33092$222
100 1 $aBrowning, Mark,$d1966-
245 10 $aWes Anderson :$bwhy his movies matter /$cMark Browning.
260 $aSanta Barbara, Calif. :$bPraeger,$cc2011.
300 $axiii, 190 p. ;$c25 cm.
490 1 $aModern filmmakers
504 $aIncludes bibliographical references and index.
505 0 $aTake the money and run: Bottle rocket (1996) -- School daze: Rushmore (1998) -- Salinger reloaded: The royal Tenenbaums (2001) -- Cinema paradiso: The life aquatic with Steve Zissou (2004) -- Brief encounter or strangers on a train?: The Darjeeling Limited (2007) -- Where the wild things are: Fantastic Mr. Fox (2009) -- The last picture show: cinematic influences -- homage or divergence? -- The discreet charm of the bourgeoisie: Anderson's portrayal of race and class -- Man with a movie camera: Anderson's use of the frame -- The unbearable lightness of being Wes Anderson.
600 10 $aAnderson, Wes,$d1969-$xCriticism and interpretation.
830 0 $aModern filmmakers.