MARC Record from Library of Congress

LEADER: 01387cam a2200265 a 4500
001 2010045124
003 DLC
005 20120704081433.0
008 101025s2011 mau b 001 0 eng
010 $a 2010045124
020 $a9780674021440 (hc)
020 $a0674021444 (hc)
040 $aDLC$cDLC$dDLC
042 $apcc
043 $aa-cc---
050 00 $aPN2872$b.V65 2011
082 00 $a792.0951/09032$222
100 1 $aVolpp, Sophie,$d1963-
245 10 $aWorldly stage :$btheatricality in seventeenth-century China /$cSophie Volpp.
260 $aCambridge, Mass:$bHarvard University Asia Center :$bDistributed by Harvard University Press,$c2011.
300 $axii, 371 p. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Significance of theatricality in seventeenth-century China -- Performance practice and stage architecture -- Theatricality and pedagogy in Tang Xianzu's Mudan Ting (The Peony Pavilion) -- Illusion and allusion: the theatricality of gender and history in Wang Jide's Nan Wanghou (The male queen) -- Literary consumption of actors in seventeenth-century China -- Storyteller Liu Jingting : the theatricality of the "vernacular" in Kong Shangren's Taohua Shan (The peach blossom fan) -- Conclusion.
650 0 $aTheater$zChina$xHistory$y17th century.
650 0 $aChinese drama$y17th century$xHistory and criticism.