| Record ID | marc_loc_2016/BooksAll.2016.part37.utf8:262458777:1170 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part37.utf8:262458777:1170?format=raw |
LEADER: 01170cam a2200265 a 4500
001 2010381372
003 DLC
005 20100928091019.0
008 100408s2009 cc b 001 0 eng d
010 $a 2010381372
020 $a9789622090743 (hbk.)
020 $a9622090745 (hbk.)
035 $a(OCoLC)ocn373484762
040 $aUKM$cUKM$dCDX$dOCL$dSTF$dDLC
042 $alccopycat
043 $aa-ch---
050 00 $aPN1998.3.H687$bU33 2009
100 1 $aUdden, James.
245 10 $aNo man an island :$bthe cinema of Hou Hsiao-hsien /$cJames Udden.
260 $aHong Kong :$bHong Kong University Press,$cc2009.
300 $a226 p. ;$c24 cm.
504 $aIncludes bibliographical references (p. [211]-220) and index.
520 8 $aThis is a book-length study of Hou Hsiao-Hsien, Taiwan's famous director of movies such as 'The Puppetmaster', 'City of Sadness', 'Flowers of Shanghai', and 'Goodbye South, Goodbye'. His body of work reflects a unique film style chracterized by intricate lighting, improvisational acting, and long, static shots.
600 10 $aHou, Xiaoxian,$d1947-$xCriticism and interpretation.
650 0 $aMotion picture producers and directors$zTaiwan.