MARC Record from Library of Congress

LEADER: 02079cam a22003857a 4500
001 2010922543
003 DLC
005 20110527083343.0
008 100212s2010 nyua bc 000 0deng
010 $a 2010922543
015 $aGBB046454$2bnb
016 7 $a015522627$2Uk
020 $a9780847835287 (hbk.)
020 $a0847835286 (hbk.)
035 $a(OCoLC)ocn619162757
035 $a(OCoLC)619162757$z(OCoLC)502029958
040 $aUKM$cUKM$dBTCTA$dC#P$dBWX$dYDXCP$dCDX$dVP@$dILC$dTDF$dDLC
042 $alccopycat
043 $an-us---
050 00 $aML141.P18$bD38 2010
082 00 $a788.9/2165092$aB$223
245 00 $aWe want Miles :$bMiles Davis /$c[edited by Vincent Bessières ; text by Franck Bergerot ; with contributions by George Avakian ... [et al.]].
260 $aNew York :$bSkira Rizzoli,$cc2010.
300 $a223 p. :$bill. (some col.) ;$c29 cm.
500 $aMusee de la Musique, Paris, Oct. 16-2009 to Jan. 17, 2010, The Montreal Museum of Fine Arts, April 30 to Aug. 29, 2010.
500 $aStatement of responsibility from p. [4] of cover.
504 $aIncludes bibliographical references (p. 223).
520 $aThe archetypal jazzman, Miles Davis was considered the twentieth-century incarnation of cool, both in his attitude and in his playing. He established himself as one of the greatest innovators in jazz, a genre he never stopped confronting and departmentalizing through various aesthetic revolutions.
505 0 $a1926-1948. From St. Louis to Fifty-Second Street in search of Bird -- 1948-1955. Out of the cool invention and self-loathing -- 1955-1959. Miles ahead in the studio for Columbia -- 1960-1967. Miles smiles controlled freedom -- 1968-1971. Electric Miles rock distortion -- 1971-1979. On the corner funk beat -- 1980-1991. Star people global icon.
600 10 $aDavis, Miles$vExhibitions.
650 0 $aJazz musicians$zUnited States$vExhibitions.
700 1 $aBessières, Vincent.
700 1 $aBergerot, Franck,$d1953-
710 2 $aCité de la musique (Paris, France)
710 2 $aMontreal Museum of Fine Arts.