MARC Record from Library of Congress

LEADER: 01533cam a2200289 a 4500
001 2010924358
003 DLC
005 20101223084259.0
008 100309s2010 xxka 000 0 eng d
010 $a 2010924358
015 $aGBB046653$2bnb
016 7 $a015522826$2Uk
020 $a9781409406617
020 $a140940661X
035 $a(OCoLC)ocn613564243
040 $aERASA$beng$cERASA$dOCLCQ$dUKM$dYDXCP$dBWK$dNLGGC$dTDF$dCDX$dDLC
042 $alccopycat
050 00 $aML1402$b.F34 2010
082 00 $a782.009/031$222
100 1 $aFallows, David.
245 10 $aComposers and their songs, 1400-1521 /$cDavid Fallows.
260 $aFarnham ;$aBurlington, VT :$bAshgate,$c2010.
300 $a1 v. :$bill. ;$c25 cm.
490 1 $aVariorum Collected Studies Series$vCS958
520 8 $aThis second selection of essays by David Fallows draws the focus towards individual composers of the 'long' fifteenth century and what we can learn about their songs. In twenty-one essays on the secular works of composers from Ciconia and Oswald von Wolkenstein via Binchois, Ockeghem, Busnoys and Regis to Josquin, Henry VIII and Petrus Alamire, one repeated theme is how a consideration of the songs can help the way to a broader understanding of a composer's output. Since there are more song sources and more individual pieces now available for study, there are more handles for dating, for geographical location and for social alignment.
650 0 $aVocal music$y15th century$xHistory and criticism.
830 0 $aCollected studies ;$vCS958.