MARC Record from Library of Congress

LEADER: 03373cam a2200421 a 4500
001 2011051301
003 DLC
005 20120907082105.0
008 111222s2012 txua bc 001 0 eng
010 $a 2011051301
016 7 $a015990956$2Uk
020 $a9780300179606
020 $a030017960X
035 $a(OCoLC)ocn759174347
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dERASA$dUKMGB$dYDXCP$dOCL$dDLC
042 $apcc
050 00 $aTR184$b.N35 2012
082 00 $a770$223
084 $aART015100$aART015110$aPHO010000$aART006010$2bisacsh
100 1 $aNakamori, Yasufumi.
245 10 $aUtopia/dystopia :$bconstruction and destruction in photography and collage /$cby Yasufumi Nakamori with Graham Bader.
260 $a[Houston] :$bMuseum of Fine Arts, Houston ;$aNew Haven :$bDistributed by Yale University Press,$cc2012.
300 $a112 p. :$bill. (some col.) ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 00 $tPlates: envisioning the city --$tImagined worlds: dialectical compositions in photography and collage /$rYasufumi Nakamori --$tPlates: constructing the figure --$tImages between dream and disaster: passages in twentieth century photomontage /$rGraham Bader --$tPlates: searching for utopia.
520 $a"From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. Utopia/Dystopia investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed a number of strategies to this end, such as cutting, fragmenting, and puncturing images as well as reassembling those culled from ready-made materials or giving a subject multiple exposures. The resulting photographs, photocollages, photomontages, and other creations question the validity of seamless pictorial images, and attempt to dismantle the notion of photography as an objective medium.This publication features approximately forty-five exemplary works by artists such as Herbert Bayer, John Heartfield, Hannah Höch, Arata Isozaki, El Lissitzky, Carter Mull, László Moholy-Nagy, Vik Muniz, Man Ray, Okanoue Toshiko, and many others. Also included are essays that offer new ways of thinking about photography's uses and implications"--$cProvided by publisher.
520 $a"Utopia/Dystopia investigates how artists from the late nineteenth century to the present have used photograpic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. This catalogue is heavily illustrated with works from the accompanying exhibition"--$cProvided by publisher.
650 0 $aPhotography$xPolitical aspects$vExhibitions.
650 0 $aPhotography$xSocial aspects$vExhibitions.
650 0 $aPhotography$xPhilosophy$vExhibitions.
650 0 $aPhotography, Artistic$vExhibitions.
650 0 $aPhotocollage$vExhibitions.
650 0 $aDystopias$vExhibitions.
650 0 $aUtopias$vExhibitions.
700 1 $aBader, Graham.
710 2 $aMuseum of Fine Arts, Houston.
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy1209/2011051301-b.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy1209/2011051301-d.html