| Record ID | marc_loc_2016/BooksAll.2016.part38.utf8:237907207:1038 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part38.utf8:237907207:1038?format=raw |
LEADER: 01038cam a22003017a 4500
001 2011283764
003 DLC
005 20120605083144.0
008 110816s2011 ne a b 001 0 eng d
010 $a 2011283764
020 $a9789042033566
020 $a9042033568
035 $a(OCoLC)ocn741754285
040 $aNz$cUZ0$dCDX$dDLC
042 $alccopycat
043 $au-at---
050 00 $aPR9611.2$b.H36 2011
082 00 $a822/.91409994$223
100 1 $aHamilton, Margaret,$d1941-
245 10 $aTransfigured stages :$bmajor practitioners and theatre aesthetics in Australia /$cMargaret Hamilton.
260 $aAmsterdam ;$aNew York, NY :$bRodopi,$c2011.
300 $a243 p. :$bill. ;$c23 cm.
500 $aBased on the author's Ph.D thesis, University of New South Wales, 2005.
504 $aIncludes bibliographical references (p. [213]-232) and index.
650 0 $aAustralian drama$y20th century$xHistory and criticism.
650 0 $aPerformance art$zAustralia.
650 0 $aPostmodernism$zAustralia.
650 0 $aAesthetics.