MARC Record from Library of Congress

LEADER: 02124cam a2200361 a 4500
001 2011372955
003 DLC
005 20120128084858.0
008 101126s2010 be b 001 0 lat d
010 $a 2011372955
020 $a9782503533636 (pbk.)
020 $a2503533639
035 $a(OCoLC)ocn505749934
035 $a(OCoLC)505749934
040 $aERASA$cERASA$dOHX$dZCU$dCDX$dDLC
041 0 $alat$aeng
042 $alccopycat
050 00 $aML3093$b.V47 2010
082 00 $a782.2/609031$223
100 1 $aVerbeke, Demmy.
245 10 $aLatin letters and poems in motet collections by Franco-Flemish composers (c.1550-c.1600) /$cDemmy Verbeke.
260 $aTurnhout :$bBrepols$cc2010.
300 $axxix, 315 p. ;$c23 cm.
490 1 $aCollection "Epitome musical"
546 $aLatin and English.
500 $aA translated. revised and condensed version of the author's thesis, The Latin dedications of the motet editions of the Franco-Flemish polyphonist from the second half of the sixteenth century as musical and literary sources.
504 $aIncludes bibliographical references (p. 293-305) and index.
520 8 $aSummary: When Renaissance music went to press, the composer of the publisher frequently added at least one paratext, which acted in the same way as blurbs do on the dust-jackets of today's books. These texts are treasure trove of information about Renaissance music and its contxt. They inform us about the lives of the composers, the publication and function of polyphonic music, and the music theory of the period. But they also read as a who's who of the courts of Europe and the higher echelons of the Church, and reveal networks netween composers, printer, patrons of music and celebrated authors such as Jean Doratr, Jacques Gohory and Paulus Melissus Schede. This book offers the first critical ediiton of more than 150 such liminary texts.
650 0 $aMotets$y16th century$xHistory and criticism.
650 0 $aDedications.
650 0 $aLatin literature, Medieval and modern.
650 0 $aMusic publishing$xHistory$y16th century.
830 0 $aCollection "Epitome musical"