| Record ID | marc_loc_2016/BooksAll.2016.part39.utf8:173896622:1485 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part39.utf8:173896622:1485?format=raw |
LEADER: 01485cam a2200325 a 4500
001 2012002519
003 DLC
005 20130420082347.0
008 120127s2013 enka b 001 0 eng
010 $a 2012002519
020 $a9780415454346 (hardback : alk. paper)
020 $a0415454344 (hardback : alk. paper)
020 $a9780415454353 (pbk. : alk. paper)
020 $a0415454352 (pbk. : alk. paper)
020 $a9780203816219 (ebook)
020 $a0203816218 (ebook)
040 $aDLC$cDLC$dDLC
042 $apcc
043 $an-us-ny
050 00 $aPS3556.O7344$bZ68 2013
082 00 $a812/.54$223
100 1 $aCummings, Scott T.,$d1953-
245 10 $aMaria Irene Fornes /$cScott T. Cummings.
260 $aAbingdon, Oxon ;$aNew York :$bRoutledge,$c2013.
300 $axxiv, 205 p. :$bill. ;$c21 cm.
490 0 $aRoutledge modern and contemporary dramatists
504 $aIncludes bibliographical references (p. [194]-202) and index.
505 0 $aOverview -- The 1960s. Getting started -- Off-off Broadway: the good scene -- Key play: Promenade (the apotheosis of Judson) -- The 1970s. Finding a way -- Key play: Fefu and her friends (turning over the stone) -- The 1980s. Found -- The PAJ plays -- Key play: Abingdon Square (conquering the vagueness) -- The 1990s. The night plays -- Coming to an end.
600 10 $aFornes, Maria Irene$xCriticism and interpretation.
650 0 $aTheater$xProduction and direction$zNew York (State)$zNew York$xHistory$y20th century.