| Record ID | marc_loc_2016/BooksAll.2016.part39.utf8:184764283:1464 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part39.utf8:184764283:1464?format=raw |
LEADER: 01464cam a2200289 a 4500
001 2012011344
003 DLC
005 20121013082430.0
008 120321s2012 nyua b 001 0 eng
010 $a 2012011344
020 $a9780230354166
040 $aDLC$cDLC
042 $apcc
043 $aa------
050 00 $aPN2039$b.T36 2012
082 00 $a792.01$223
100 1 $aTan, Marcus Cheng Chye.
245 10 $aAcoustic interculturalism :$blistening to performance /$cMarcus Cheng Chye Tan.
260 $aHoundmills, Basingstoke, Hampshire :$aNew York :$bPalgrave Macmillan,$c2012.
300 $axii, 259 p. :$bill.;$c23 cm.
504 $aIncludes bibliographical references (p. 229-244) and index.
505 0 $aIntroduction: the intercultural topography and an acoustic interculturalism -- The performativity of sound and the soundscapes of culture -- Acoustic mimesis: ethical cadence and sonic violence in Tambours Sur La Digue -- (Echo)locating other-Shakespeares: an aesthetics of pop & the ear of the other -- Listening in/to Asia: Ong Keng Sen's Desdemona and the polyphonies of Asia -- "If music be the food of love": "fourth world" universals in Ong Keng Sen's Awaking -- Conclusion: after authenticity: naming the intercultural.
650 0 $aIntercultural communication in the performing arts.
650 0 $aSounds$xAnthropological aspects.
650 0 $aMusic in the theater.
650 0 $aMusic$xSocial aspects.
650 0 $aPerforming arts$zAsia.