| Record ID | marc_loc_2016/BooksAll.2016.part39.utf8:199750212:1437 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part39.utf8:199750212:1437?format=raw |
LEADER: 01437cam a2200301 a 4500
001 2012023411
003 DLC
005 20140523080718.0
008 120607s2013 hiua b s001 0 eng c
010 $a 2012023411
020 $a9780824836078 (cloth : alk. paper)
035 $a(HU)3401203
040 $aHU/DLC$cHU$dDLC
042 $apcc
043 $aa-cc---
050 00 $aPN1993.5.C4$bW278 2013
082 00 $a791.430951$223
100 1 $aWang, Yiman,$d1972-
245 10 $aRemaking Chinese cinema :$bthrough the prism of Shanghai, Hong Kong, and Hollywood /$cYiman Wang.
260 $aHonolulu :$bUniversity of Hawaiʻi Press,$cc2013.
300 $axiii, 217 p. :$bill. ;$ccm.
490 1 $aCritical interventions
505 0 $aThe goddess : tracking the "unknown woman" from Hollywood through Shanghai to Hong Kong -- Family resemblance, class conflicts : re-version of the sisterhood singsong drama -- The love parade goes on : western-costume Cantonese opera film and the foreignizing remake -- Mr. Phantom goes to the East : history and its afterlife from Hollywood to Shanghai and Hong Kong -- Conclusion : Mr. Undercover goes global.
504 $aIncludes bibliographical references (p. 191-207) and index.
504 $aIncludes filmography (p. 207-207)
650 0 $aMotion pictures$zChina$xHistory$y20th century.
650 0 $aFilm remakes$zChina$xHistory and criticism.
830 0 $aCritical interventions (Honolulu, Hawaii)