| Record ID | marc_loc_2016/BooksAll.2016.part39.utf8:201099532:1337 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part39.utf8:201099532:1337?format=raw |
LEADER: 01337cam a22003134a 4500
001 2012024504
003 DLC
005 20130621145735.0
008 120614s2013 enkag b 001 0deng
010 $a 2012024504
020 $a9781107005891 (hardback : alk. paper)
020 $a1107005892 (hardback : alk. paper)
020 $a40022060250
035 $a(OCoLC)ocn795909497
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dOCLCO$dYDXCP$dOCLCO$dBWX$dYUS$dEYR$dDLC
042 $apcc
050 00 $aML410.B42$bM33 2013
082 00 $a780.92$223
100 1 $aMathew, Nicholas.
245 10 $aPolitical Beethoven /$cNicholas Mathew.
260 $aCambridge, UK ;$aNew York :$bCambridge University Press,$c2013.
300 $axvii, 273 p. :$bill., music ;$c26 cm.
490 1 $aNew perspectives in music history and criticism
504 $aIncludes bibliographical references (p. [237]-265) and index.
505 0 $aIntroduction: political collaborations -- Music between myth and history -- Beethoven's moments -- The sounds of power and the power of sound -- The inner public -- After the war.
600 10 $aBeethoven, Ludwig van,$d1770-1827$xCriticism and interpretation.
600 10 $aBeethoven, Ludwig van,$d1770-1827$xAppreciation.
650 0 $aMusic$xPolitical aspects$xHistory.
830 0 $aNew perspectives in music history and criticism.