| Record ID | marc_loc_2016/BooksAll.2016.part39.utf8:209010981:1475 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part39.utf8:209010981:1475?format=raw |
LEADER: 01475cam a2200265 a 4500
001 2012030879
003 DLC
005 20130625112141.0
008 120802s2013 nyu b 001 0 eng
010 $a 2012030879
020 $a9780415521444
020 $a9780203069103
040 $aDLC$cDLC$dDLC
042 $apcc
050 00 $aPN1996$b.N25 2013
082 00 $a808.2/3$223
100 1 $aNannicelli, Ted.
245 12 $aA philosophy of the screenplay /$cby Ted Nannicelli.
260 $aNew York :$bRoutledge,$c2013.
300 $axiii, 270 p. ;$c24 cm.
490 0 $aRoutledge studies in contemporary philosophy ;$v49
504 $aIncludes bibliographical references (p. [251]-262) and index.
505 0 $aDefinition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition : intentionality, history, and artifact concepts -- Art status. The historical narrative approach to identifying art : exegesis and defense -- From playwriting to screenwriting : the historical narrative -- Ontology. Objections and ontology I : is the screenplay an autonomous work of art? -- Instructions and artworks : musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology II : is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature.
650 0 $aMotion picture authorship.
650 0 $aMotion picture plays$xHistory and criticism.