| Record ID | marc_loc_2016/BooksAll.2016.part39.utf8:233600244:1427 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part39.utf8:233600244:1427?format=raw |
LEADER: 01427cam a2200301 i 4500
001 2012049760
003 DLC
005 20130919075557.0
008 130123s2013 ncu b 001 0 eng
010 $a 2012049760
020 $a9780786472079 (softcover : alk. paper)
040 $aDLC$beng$cDLC$erda
042 $apcc
043 $an-us---
050 00 $aPN1995.9.V5$bT47 2013
082 00 $a791.43/655$223
245 00 $aTerror and the cinematic sublime :$bessays on violence and the unpresentable in post-9/11 films /$cedited by Todd A. Comer and Lloyd Isaac Vayo ; afterword by Patrick Fuery.
264 1 $aJefferson, N.C. :$bMcFarland & Company, Inc., Publishers,$c©2013.
300 $avi, 208 pages ;$c23 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (p. 187-197) and index.
520 $a"The sublime provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism, and the limits of freedom. Such essays take the pulse of our cultural moment, while providing the reader with the dual nature of the sublime in critical work, and how it continues to evolve conceptually"--Provided by publisher.
650 0 $aViolence in motion pictures.
650 0 $aMotion pictures.
700 1 $aComer, Todd A.,$d1972-
700 1 $aVayo, Lloyd Isaac,$d1981-