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MARC Record from Library of Congress

Record ID marc_loc_2016/BooksAll.2016.part39.utf8:239752359:2377
Source Library of Congress
Download Link /show-records/marc_loc_2016/BooksAll.2016.part39.utf8:239752359:2377?format=raw

LEADER: 02377cam a22003137a 4500
001 2012285113
003 DLC
005 20130424082740.0
008 130404s2012 enka b 001 0 eng d
010 $a 2012285113
016 7 $a016091441$2Uk
020 $a9781847887436
020 $a1847887430
020 $a1847887422
020 $a9781847887429
035 $a(OCoLC)ocn794035959
040 $aERASA$cERASA$dUKMGB$dYDXCP$dYNK$dCDX$dNDD$dCOD$dBWX$dYBM$dBDX$dDLC
042 $alccopycat
050 00 $aNK1505$b.H34 2012
082 04 $a745.4
100 1 $aHann, Michael.
245 10 $aStructure and form in design :$bcritical ideas for creative practice /$cMichael Hann.
260 $aLondon ;$aNew York :$bBerg,$c2012.
300 $axx, 180 p. :$bill. (some col.) ;$c25 cm.
504 $aIncludes bibliographical references (p. [171]-176) and index.
505 0 $aIntroduction -- The fundamentals and their role in design -- Underneath it all -- Tiling the plane without gap or overlap -- Symmetry, patterns and fractals -- The stepping stone of Fibonacci and the harmony of a line divided -- Polyhedra, spheres and domes -- Structures and form in three dimensions -- Variations on a theme: modularity, closest packing and partitioning -- Structural analysis in the decorative arts, design and architecture -- A designer's framework.
520 8 $aThis book provides a critical examination of structure and form in design, covering a range of topics of great value to students and practitioners engaged in any of the specialist decorative arts and design disciplines. The complexities of two-dimensional phenomena are explained and illustrated in detail, while various three-dimensional forms are also discussed. In the context of the decorative arts and design, structure is the underlying framework, and form the resultant, visible, two- or three-dimensional outcome of the creative process. Whether hidden or visually detectable in the final design, structure invariably determines whether or not a design is successful in terms of both its aesthetics and its practical performance. Hann successfully identifies various geometric concepts, and presents and discusses a number of simple guidelines to assist the creative endeavours of both accomplished and student practitioners, teachers and researchers.
650 0 $aDesign$xMethodology.
650 0 $aDesign$xPhilosophy.